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Rootsby Catherine Knight | |
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"In my photographic work I was always especially entranced by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them, just like a photographic print left in the developing bath too long"(extract from Austerlitz by W. G. Sebald)
Upon waking from a dream, the harder you try to recall details and events, the faster they disappear, leaving just a trace of a feeling that remains with you for the rest of the day. My fascination with the process of sifting through old family photographs of people who are part of me, yet quite unknown, is the motivation behind these paintings. Created from found photographs together with guidebook images and postcards, these compositions toy with perspective and scale. They mirror how family histories and personal mythologies are half- remembered, smoothed over, and exaggerated over time. In trying to piece together and make sense of my own history I come across gaps and holes where knowledge has been lost. Sontag has described the photograph as "an imaginary possession of a past that is unreal[1]" and this provides an entry point to my work. Photographs ultimately offer limited information and their full story is not revealed. Made from images collaged together, mixing places, times and histories, the playfulness in the paintings creates new narratives and alternative realities. The source photographs are black and white, so I am free to introduce colour in a more conceptual way. The colours used have a slightly unreal, unnatural feel with suggestions of colour negatives or old Technicolor films. This feeling of colour reversal reflects the sense of "looking back" through time and dwelling on past people and places. The heightened colouration suggests a romanticised or hazed over version of events. Through the process of painting, the images are re-invented and re-told creating dreamlike, other- worldly states. The paint is applied in fluid layers, dripping and seeping across the surface creating a fine line between control and chance. The translucent layers, with the white of the ground still visible beneath, creates a feeling of transience. The world created is not a stable one and the scenes depicted seem on the verge of change. There is a sense of loss and displacement present and an intended ambiguity is felt which is emphasised by the loose, fluid paint. Born: Cornwall 1982 Education: Bath Spa University, 2007- 2008, MA Fine Art- Distinction University of Wales Institute of Cardiff, 2001- 2004, BA Hons Fine Art- First Class Honours Falmouth College of Arts, 2000- 2001, Foundation Diploma in Art &Design- Distinction
Selected Exhibitions: 2012 Solo Show, Exeter Phoenix Cafe Gallery Veiled Voyages, View Art Gallery, Bristol
2011 Remote Viewing, curated by Chris Barr, Motorcade/Flashparade Solo show: Memories to Draw on, Sidcot Arts Centre, N. Somerset No.1 Paint, Blank Space Media, Manchester
Motorcade/Flashparade Open Painting Competition, selected by Peter Bonnell, Matthew Burrows and Maggie Royle.
HerStory by Womens Work, The Link Gallery, University of Winchester Studio 17 Spring Show, Motorcade/Flashparade, curated by Fiona Cassidy 2010 Here and Now, View Art Gallery, Bristol Royal West of England 158th Autumn Exhibition, Bristol The Open, Motorcade/Flashparade, Bristol, curated by Philip Northcott Stories, Wolverhampton Art Gallery, curated by Helen Oliver New Year, New Work, View Art Gallery, Bristol 2009 Solo Show at Bath Spa University Gallery, Weston College Big Bones was selected for The National Open Art Competition, Minerva Theatre, Chichester Summer Show, View Art Gallery, Bristol 6 @ The Octagon, Fringe Art Bath
Lucid Dream, Fringe Art Bath MA and other Postgraduate Exhibition, Atkinson Gallery, Millfield, Somerset 2008 Transitions, School Gallery, Bath Spa University Royal West of England 156th Autumn Exhibition, Bristol Sefton Open, Atkinson Art Gallery, Southport MA Show, Bath Spa University, Sion Hill, Bath MA Interim Show, School Gallery, Bath Spa University Group show, Guild Hall, Bath SMALLPRINT; Big Impression, International mini-print exhibition, starting at Leicester print workshop and moving round the UK over 12 months 2007 reside: end of residency show at Bootham School Solo show, City Screen Bar,York Solo show, Summit Bookshop, Kirkbymoorside York Open Studio 21st century Watercolour exhibition, Royal Watercolour Society, Bankside Gallery, London 2006 Postcard Show, Surface Gallery, Nottingham Headingley Triangle, Leeds You are Here, Sancreed house, Penzance Lunch cafe, Truro, Cornwall Landscape & Memory, The Ropewalk, North Lincolnshire 2005 The Discerning Eye, Mall Galleries, London Christmas Show, Vitreous Gallery, Truro, Cornwall Drawing Out the City, Bayart Gallery, Cardiff Summer Light, Falmouth Arts Centre, Cornwall St. Ives Festival Exhibition, Cornwall Summer show, Washington Gallery, Penarth New (ad) Venture, Vitreous Gallery, Cornwall
Residencies: Artist in Residence at Bootham School, York, 2006- 2007
Awards: Royal West of England Academy Student Bursary Winner 2008 Shortlisted for Harry Holland Painting Award, 2004 Dulcie Mayne Stephens Travel Scholarship 2003
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