Author: TAC blog

Art Circus Spotlight
Northern Lights by Lucy Atherton

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‘For a while I have been a bit obsessed with painting snowy landscapes, but I’ve never really been sure why. I am drawn to the cosiness of log cabins, deep dark lakes, mountains and fir trees. I find snow beautiful, and of course the northern lights are like magic. I painted this painting at the start of 2012, prior to a forthcoming trip to Finland, from my imagination.To be honest, I’ve never been sure if I finished this painting, but I quite like the way it feels quite fresh and not over worked. It hangs in my front room.’

See more of Lucy’s painitings here

Marion Peck’s ‘Animals’ at Michael Kohn Projects, LA

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March 30 – April 27, 2012

Marion Peck has eleven new paintings on show at the new Michael Kohn Projects space that highlight the artist’s talent for meticulously painted narrative imagery. This particular body of work explores solitary animal figures placed in various situations and often anthropomorphized to reflect human emotion and mental states. These luscious paintings play with the kitschy stylization of animals while underscoring Peck’s faithfulness to Northern Renaissance realism in her treatment of landscape, flora, and the particularly stoic expressions of her subject matter. Continue reading “Marion Peck’s ‘Animals’ at Michael Kohn Projects, LA”

Q&A With Sophie Woodrow

Tiger,-Crowd-detail_bigSophie was born in Bristol in 1979 and graduated from Falmouth College of Art with a BA in Studio Ceramics in 2001.

How did your time at Falmouth Art School help in the development of your practice?

I spent all of my time at Falmouth wondering what I “should” be making, it was only the disappointment of leaving with an average grade and a motley collection of work that then spurred me on to work hard, forget the “should”, and find what I wanted to make myself. Continue reading “Q&A With Sophie Woodrow”

Tilda Swinton Sleeps in a Box

oscar-winner-tilda-swinton-sleeps-in-glass-box-at-museum-1364148161-1117The Maybe Living artist, glass, steel, mattress, pillow, linen, water and spectacles, 1995-2013

The Scottish actress fell asleep at the MOMA in New York for six and a half hours. In 1995 she slept at the Serpentine Gallery, London and did it again a year later at the Museo Barracco in Rome. The MOMA said that ‘there is no published schedule for The Maybe’s appearance’,

Nina Fowler’s ‘It’s Just My Funny Way of Dancing’
On Show Until 31st March, London

L0005916Nina Fowler’s dynamic show ‘It’s Just My Funny Way of Dancing” showcases eight large scale black chalk drawings depicting two females figures embroiled in a lively brawl. The remarkable images capture split second stills from the 1939 film Destry Rides Again, featuring the enamoring Marlene Dietrich. Concurrently portraying great movement with immaculate stillness, the pieces feature intricate detail and illustrate Fowler’s remarkable draftsmanship skills.

On show at 18 Hewett Street until Sunday 31st March. See more of Nina’s work here.

Art Circus Spotlight
‘I don’t think about my face because i live behind it’
a Painting by Eleanor McCaughey

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I don’t think about my face because i live behind it’ was painted as part of a series of works called ‘The How and Why Library’. This series of paintings was created from appropriations of images found in Childcraft books of the 60’s, 70’s and early 80’s. Childcraft was created as an encyclopedia, of sorts, for young children. With simple texts and illustrations, the volumes were designed to make learning amusing and engaging. Each volume addressed different subjects, including literature, mathematics and the sciences.

This series began with the move, and loss, of McCaughey’s childhood home. This finality inevitably led to cataloging  preserving belongings, and filing the associated memories. The Childcraft books, a once steadfast presence on the living room bookcase, were unearthed once more. McCaughey recalls spending hours soaking in the pages filled with images and diagrams. Returning to these books years later, the clarity and freshness of the images in her mind led McCaughey to consider the printed image, it’s ability to encapsulate the past, allow the viewer to visit it, in the present. This particular painting was sourced from a paragraph explaining to children the idea of how we see ourselves differently from how others see us.

See more of Eleanor’s paintings here

‘Souzou, Outsider Art from Japan’
at the Wellcome Collection, London

idocRyosuke Otsuji’s ‘Okinawan Lion’, historically found in domestic settings to ward off bad spirits.

Souzou brings together more than 300 works for the first major display of Japanese Outsider Art in the UK. The 46 artists represented in the show are residents and day attendees at social welfare institutions across Honshu, Japan’s largest island. The wonderfully diverse collection comprises ceramics, textiles, paintings, sculpture and drawings.

‘Souzou’ has no direct translation in English but a dual meaning in Japanese: written one way, it means creation, and in another it means imagination. Both meanings allude to a force by which new ideas are born and take shape in the world.

Starts on the 28th March, for more info visit the Wellcome Collection

The Art Circus Looks at – The Water

2Rachel Hannyngton Floating oil on canvas, 2009

We put together a little collection of paintings which explore the different ways artists have depicted water, creating images that make the water look inviting, refreshing and engulfing. Continue reading “The Art Circus Looks at – The Water”

‘Big Air Package’ by Christo at Gasometer Oberhausen

bigair-2‘Big Air Package’ is made from 20,350 square meters of semitransparent polyester fabric and 4,500 meters of rope. The inflated envelope is 90 meters high and 50 meters in diameter, which is installed inside the former gas tank  Two air fans creating a constant pressure of 27 pascal (0.27 millibar) keep the package upright. Airlocks allow visitors to enter the package. Illuminated through the skylights of the Gasometer and 60 additional projectors, the work of art creates a diffuse light throughout the interior. Inside the sculpture, an extraordinary experience of shape, space and light is provided.

Continue reading “‘Big Air Package’ by Christo at Gasometer Oberhausen”

Toshio Saeki at The Print House Gallery, London

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28th Mar – 2nd May 2013

NO WAY in collaboration with Ghostown and the Print House Gallery present the first ever UK exhibition of works by Toshio Saeki. Known as ‘the Master of Japanese Erotica’, Saeki blends traditional Japanese technique with his own bizarre and perverse imagination.

Continue reading “Toshio Saeki at The Print House Gallery, London”