The Art Circus is very pleased to announce our first print show of 2015 at the Bear Steps Gallery in Shrewsbury. Featuring a collection of Contemporary Artist’s Giclee prints from the Art Circus’ Print Gallery . Artists on show will include Ryan Humphrey, SuperfutreKid, Fipsi Seilern, Sam Branton, Marta Suuster, Christopher Gee, KEELERTORNERO, Georgia Peskett, Daisy Clark and Phaedra Peer. There will also be a parallel exhibition of Self-Published books. Continue reading “The Art Circus at the Bear Steps”
12th November – 5th December 2014
Ilona Szalay paintings will be shown in ‘It’s just a short walk to the future from here’, a group show at the Arusha Gallery in Edinburgh. Ilona’s pictures are permeated with a lonely sense of yearning and a poignant straining towards something infinite. There is an intensely visceral quality to her recent paintings, a sense of abundance and illumination. Ilona also creates video art in which she uses stop motion animation to create free-wheeling narratives of oil paint on glass. These ‘moving paintings’ exist only in recorded form as each drawing is extinguished to allow room for the next. As such the work is ephemeral and spontaneous, the images dissolving into each other and sliding across the surface of the glass. The pictures tell of metamorphosis, desire, dreams and death.
Find out more about Ilona Szalay’s work in our previous Q&A.
The Art Circus is very pleased to announce our second curated group show, ‘Replica’ on show at Blackwell’s Bookshop in Oxford. Featuring a collection of Contemporary Artist’s Giclee prints from the Art Circus’ Print Gallery . Artists on show will include Ryan Humphrey, SuperfutreKid, Fipsi Seilern, Sam Branton, Marta Suuster, Christopher Gee, KEELERTORNERO, Georgia Peskett, Daisy Clark and Phaedra Peer. Continue reading “‘Replica’
An Art Circus Curated Show
At Blackwell’s Bookshop, Oxford”
Claire Partington’s elegant and witty ceramics, ‘Goldilocks’ (shown top) and ‘Catfishing’ (lidded vases), will be on show at the Young Masters Art Prize 2014. Claire’s ceramics, inspired by European Applied Art and Design styles from the 1600’s, are meticulously hand crafted and use traditional ceramic techniques. Her figurative pieces, based on the salt glazed “bartmann” figurative bottles and court mantua dresses of the 1700’s, feature charming interchangeable heads to create curious little stories around her characters. Find out more about Claire’s ceramics in our Q&A.
The Young Masters Art Prize was set up In 2009, by gallerist Cynthia Corbett and celebrates artists who pay homage to the skill and traditions of the past and draw inspiration from the Old Masters. Artists are selected for their appropriation of an element of the established art-historical canon; either through technique, imagery or subject, whilst establishing an undeniably contemporary spin.
1st of September – 14th of September
Dulcy Lott’s new collection of photographs, titled ‘Everyone, everyone knows it’s me’, touch on the darker side of fairy tales and focus on the surreal, unsettling moments that life throws at us. It also investigates the physicality and relationships within the photographers frame.
Dulcy used local Oxford dance artists Callum Anderson, Helen Wadge and Emma Jane Grieg, as well as models from a non dance background to create the work. The nimble dancers were put into dramatic and challenging dance positions, often within quite harsh surroundings such as rusty old fences, coarse stone walls and large,abandoned shipping containers. This combination, creates a tension and unease within the viewer as well as a chance to study the elegance of the human form in such demanding poses, for that split second, before they’ve been lost.
‘Everyone, everyone knows it’s me’ is on show at Blackwell’s Coffee Shop, Oxford.
Here are some gallery shots of The Last Man exhibition at the James Freeman Gallery, along with some photos of the opening night. We had a great evening and would like to thank James Freeman, the artists involved and to everyone who came down. The show is on until the 2nd August 2014, so a few more weeks to check it out. Continue reading “Art Circus Show
‘The Last Man’ Views From The Gallery”
28 June – 9 August 2014
Successful portraits resist description in a way that other types of picture do not. A portrait is something other than just an image. Simple images aspire to tautology; “I am what I depict” they insist. Portraits make the precise inverse of this claim. Portraits suffer from the ravages of their sitters’ old age and dissolute characters.
See these two black and white images of a man’s head, face-on and in profile. The expression is inscrutable; is it fear, anger, defiance, resignation? That his name, aliases, the nature of his crime and the date of his arrest are listed on the reverse is of no help.
The mugshot and the passport photo are the most straightforward, the most concise and accurate of portraits. They are intended only for the purposes of identification. They describe their subjects fully and simply, yet they cannot be fully and simply described themselves. The only way to make a portrait comprehensible is to dissect it, dismember it, reduce it to a collection of appendages and features; here are the eyes, here is an elbow… Sally Kindberg goes further; she has obliterated the face altogether. With cheese. Continue reading “Artist Show
Mugshots: Sally Kindberg + Philadelphia PD”
Neither solely abstract nor representational, the paintings I make could best be described as “figurative abstracts”. I aim to create paintings whose brush-strokes teeter between signalling some form of human activity or celestial body and dissolving into arbitrary painterliness. This concern also informs my actual painting process. I usually start off with a specific image in mind which then inevitably gets lost beneath layers of loose, intuitive brush-marks. In this way the original pictorial starting point becomes translated into a more personal and abstracted painterly language.
My paintings contain a certain sense of tension as they appear to be both spontaneous and highly considered. The modest size and round shape of the canvases is intended to convey a sense of delicacy and restraint and to give the paintings a jewel like, intimate quality. Continue reading “Art Circus Spotlight
Jaya Mansberger ‘Informal Elements’”
4th July – 2nd August 2014
Thursday 3 July, 6:30 – 8:30
The Art Circus is very pleased to announce our first curated group show in collaboration with the James freeman Gallery. Artists on show will include Vasilis Avramidis, Christopher Gee, Miguel Laino, Hyunjeong Lim, Mackie, Tom Shedden, Eleanor Watson.
Change is one of the few certainties in life. After death and taxes, the only thing we can be sure of is that nothing stays the same. As such, it begs the question: what happens when we’re no longer around?
Taking Mary Shelley’s apocalyptic novel The Last Man (1826) as its inspiration, this show explores the mysterious absence of humankind from the spaces they once inhabited. The ecological concerns of Shelley’s novel bring to mind: if mankind disappeared, would the natural world be free to reclaim what belonged to it? Visitors thereby get to take the place of Verney, The Last Man, in becoming the sole observer of an eerie lost world.
Seven painters come together to create this atmospheric exhibition. The unnerving images of Christopher Gee and Miguel Laino create a haunting, ominous presence, as if even before the disappearance there were clues, portents and signs. The paintings of Eleanor Watson and Mackie depict abandoned landscapes and structures like solitary markers, with empty rooms seen through external walls creating a sense of dereliction. In Vasilis Avramidis’s luscious works, green mossy hills emerge in the black of night from a subterraneous realm and morph into arms, fingers and heads. The Bosch-like theme is continued in Hyunjeong Lim’s drawings of twisted landscapes that depict a contemporary Golgotha through a cacophony of comic-book images. It is left to Tom Shedden’s paintings of an Elysian future to suggest a counterbalance of harmony with the new elements. Continue reading “‘The Last Man’
An Art Circus Curated Show
In Collaboration with the James Freeman Gallery”
13 June – 13 July 2014
‘Pushing Paint’ will showcase a set of artists using oil on canvas in a variety of different ways. From washes that have dried on the day to canvases so thick with paint, they have taken a year to dry. We will have a variety of both subject matter and style. The above list includes artists we have been working with since the gallery opened, right through to artists showing here for the first time. Several of these artists are receiving much acclaim at the moment.