Category: All

Silvie Jacobi
In the Marmite Painting Prize
At the Tannery Arts, London

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28th June – 20th July

The Marmite Painting Prize is a not-for-profit organization. The selection process is anonymous, with no artist cvs or biographies admitted. Their concern is to be as fair as possible to every entrant. They aim to promote artist communities and networks, locally and nationally, connecting artists through the touring exhibition and related activities.

The Marmite refers to the Old English term for a cooking pot, alluding to the mixing of diverse practices encouraged, and also to the prize itself – a specially made interpretation of a ‘marmite’ which is donated by an artist; this is a symbol of exchange, a recognition that any ‘prize’ is unequal and no value may legitimately be put on an artwork; it also stands for the alchemy of the process of making – whether divine inspiration or rigourous working process; sweaty excitement or long, cool labour? A witch’s cauldron, a vat of nourishment, a scientist’s test tube?

Femke Hiemstra’s ‘Fiebertraum’
On show at Merry Karnowsky Gallery, LA

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June 22nd – July 20th 2013

Femke Hiemstra new solo show titled “Fiebertraum” (Fever Dream) features her signature anthropomorphic animal characters. Painted in a lushous glow, she catches these creatures in their intimate household scenes and spiritual experiences. Hiemstra’s always has fun with the way she presents her work, and many of the new paintings are rendered on altar-like panels adorned with tassels. Hiemstra will be showing alongside Deedee Cheriel and Mel Kadel. (Via)

Q&A with Andy Harper

UntitledAndy Harper is an artist based in the UK and is represented by Danese in New York, Morgen Contemporary in Berlin and The Page Gallery in Seoul.

Does the new collection of paintings come with a new set of mark making techniques? The floating blue curls for example.

I want the pace of making to be reflected in the new paintings. Viewers were fooled by the level of detail in the previous work and couldn’t reconcile the level of rendering yielded by what in reality was a very quick and fluid way of working. Many of my paintings from that period (2004-2010) were made in a day and never took more than a week. So although I haven’t totally re-invented how I work, I have consciously avoided the vocabulary of marks I acquired during that period. I still utilise a membrane of oily paint that is wet and totally malleable during the production of the painting, but the marks are now more direct and not dependent on motifs or a bag of tricks. The painting process has become more like the activity of drawing than ever before, it’s able to record decisions and embody thought itself. Continue reading “Q&A with Andy Harper”

Art Circus Spotlight
‘Express Excess’ and ‘Decanted’ by Mandy Payne

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‘These pieces have developed over the past year further to work done for my final degree show. I am largely inspired by landscape and I began by exploring ‘edge land’ areas of Sheffield – places often overlooked and considered to be devoid of typical aesthetic beauty. The ‘Express Excess’ image arose after seeing a couple of plastic bags caught high in the branches of a tree outside a newly built supermarket. They remained resolutely in place for weeks as if almost tied in place. The tree although having only been there for a short while was already covered with graffiti – I took photos and found it an arresting image and a reflection of how we live now. I used mixed – media (oil, acrylic and tapes).

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Following on from this I began to explore Park Hill, the Grade II * listed council estate and one of Britain’s largest examples of Brutalist architecture. The site is currently undergoing regeneration and as such is an interesting place to observe. Part of the estate has undergone transformation into shiny, luxury flats whilst half remains boarded up and derelict. A remaining quarter is still inhabited – the residents remaining resolutely in situ until finally decanted.

I am ever drawn to the un-refurbished areas where the memories and layers of the past are almost tangible. I have been working with materials that are integral to the estate itself, such as concrete, aerosol and aluminium. This is demonstrated in my second painting ‘Decanted’ where I have mixed concrete into oil paint and layered aerosol paint on top.’

See more paintings by Mandy Payne

Chloe Rosser in ‘F-Lux’
At The Old Truman Brewery, London

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20th Jun – 24th Jun 2013

Falmouth University is showcasing an exhibition over fifty up-and-coming photographers from the BA Photography course. Questioning everything from art theory to the social status quo, f-Lux photographers push boundaries and seek to create engaging, impacting and relevant work; designed to launch them from their degree at Falmouth.

The figures in Chloe Rosser’s work are photographed in a contorted fashion, the body becomes inhuman. It is a mindless mass of flesh, both intriguing and repelling us. Here, what should be intimately familiar is transformed into an unfamiliar sculpture. The work is an unsettling exploration into the human condition and our alienation from our own bodies.

See more photographs by Chloe Rosser

Dan Cimmermann’s ‘Foxes and Hounds’
At the WorkHouse Gallery, Harrogate

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21st Jun – 5th Jul 2013

The name Foxes and Hounds is derived from a childhood game I used to play with friends. One group of kids would go and hide in the dark, while the other group had to find and tag them, gathering members as they progressed until the last man (fox) was standing. We played for hours, sometimes all night. It was part scary, part exhilarating.

I chose the name for the exhibition because it conjures up strong memories of nostalgia. Most of the work in the exhibition is autobiographical and uses images from my past, drawing upon my childhood through to more recent times. Collecting and preserving imagery is important to me and by recreating these images in various ways in my paintings, i attempt to understand and preserve my memories. The act of defacing the imagery makes it more important to me, more significant and the amalgamation of several images together often then suggests a new narrative. Much of the work draws upon growing up in Middlesbrough, an industrial northern town, and how this has shaped my outlook on the way I see things today.

See more paintings by Dan Cimmermann

Julie Heffernan, Haruko Maeda and Dolly Thompsett
On show at All Visual Arts, London

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21st Jun – 17th Aug 2013

All Visual Arts will by displaying the works of three international artists Dolly Thompsett (featured top) Julie Heffernan (featured bottom left)  and Haruko Maeda, whose works draw on a rich body of myth, fable and art history to evoke the spirit of Magical Realism.

The term ‘Magical Realism’ is broadly descriptive rather than critically rigorous, described as “what happens when a highly detailed, realistic setting is invaded by something ‘too strange to believe'”. This strangeness and painstaking detail draws a compelling parallel between the artists, drawing out the dark narratives woven throughout our everyday experience.

For more info, please visit All Visual Arts

Lucy Atherton
With the Long and Ryle Gallery
At the Affordable Art Fair, Hampstead

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12th June – 16th June 2013

Lucy will be displaying some of her new paintings with the Long and Ryle Gallery at the Affordable Art Fair in Hampstead, where 113 galleries will be exhibiting a huge array of contemporary art, from emerging artists to established names.

Lucy’s paintings draw inspiration from many sources including animals, wilderness, journeys, memories, imagination and dreams. Working freely and intuitively with paints and inks, she allows secret worlds to reveal themselves. Creating comforting images familiar to children’s illustrations, they also have an unsettling feeling, as if something darker may lurk beneath.

D*face’s ‘The New World Disorder’
On Show at the StolenSpace Gallery, London

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7th June. – 23rd June 2013

D*face’s latest body of work reflects upon times of chaos, disorder and loss, as informed by shifting circumstances in the social climate. Exploring topical and long standing dystopian sentiments, New World Disorder confronts the effects of love and loss from a physical, mental and cultural standpoint, drawing up on the artist’s direct experiences.

Elements of the show are inspired by The Tillman Story,the 2010 documentary film about the 2004 death of U.S. Army Ranger Pat Tillman in the war in Afghanistan, the cover-up of the true circumstances of his death, and his family’s struggle to unearth the truth. In the gallery space adapted WW2 helmets, some with original bullet holes, reference our conspicuous consumption,where we desire more, but get less. Other work includes enlarged baseball bats, skateboards created from graffiti-covered school desks, and cabinets of curiosities displaying relics from a place in time where there is no distinguishable line between religion and consumerism.

For more info, please visit StolenSpace Gallery

Art Circus Spotlight
‘Lido’ by Daniel Shiel

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‘Lido’ is one of twelve ‘sketchy’ pieces I put together for a joint exhibition at the Cupola Gallery in Sheffield last year. This particular piece is a little special in that I found myself being drawn into it as I worked on it. The image, mostly made up of photographs of decaying concrete, was assembled from photos of remains of the Lido in Dun Laoghaire and the dry dock used by the Titanic in Belfast. Other elements, structural details and objects that draw the piece into a whole, came from other widely scattered locations.

When developing pieces I’m looking for photographs that have a certain peculiar atmospheric quality. Once stripped of their original context and merged together, the new structural and landscape images emphasise the edginess I feel when I’m out with my camera in these locations. When I’m developing the collage pieces I’m often groping to create something and not at all sure where I’m going, but this one seemed to develop almost by itself. It has a strong atmosphere of uncertainty; the image lying on the border between reality and the surreal. ‘Lido’ is one of my favourite pieces and I very much enjoyed putting it together.

‘Lido’ has been selected as one of the finalists in the ‘Best Shots competition 2013’.

See more photographs by Daniel Shiel